In a World of Rust

World of Rust

An ancient tractor sits crab like, slowly sinking into the gravel, surrounded by the flotsam of last winter’s storms, with nothing to protect it from the elements other then a battered old tarp lashed down with frayed blue nylon rope. Along the coastline of Britain there are dozens of these aging machines which for decades have been used to haul small fishing boats from the surging tides. To the passer by it must seem dead, redundant, a relic from a long done industry, but beneath scraps of faded paint and flaking rust, black treacle like grease and gear oil has kept the salt and grit at bay, protecting it’s bright metal innards. Maybe one day soon it will cough and bark back into life, it’s cracked sun bleached tyres breaking free of the sands grip , to rumble down the beach once again to were surf meets the sore.

Rolleicord TLR, Expired Agfa APX 100 film developed in Tanol for 13 minutes and split grade printed on Ilford Warmtone paper.  

Experimentation

Well it’s been a long time since my last post so I thought I would show you what I’ve been working on.  I was hoping to have a few new photographs from a recent trip to Swaledale, but I had to divert my attention at the last minute when a large commission came in from Gallerina. The client wanted photographs to reflect the period features of their new boutique hotel, they also wanted the images to have a warmth. I needed to create a few test prints and after a search through my darkroom cupboards I managed to find what I was looking for. A two bath Fotospeed Sepia kit and a very ancient bottle of Agfa Viradon Brown toner, here is what I came up with.

I selected a  5×4 neg I taken on a trip to Belsay Castle in Northumberland a few years a go and coated some paper with SE1 liquid emulsion diluted 50/50 with water.

 

belsay test strip

Untoned Test strip.

 

belsay sepia

Sepia toner.

 

belsay brown

Agfa Viradon Brown Toner.

Se1 is great to split tone and each of the prints turned out really well, but both had their draw backs. The sepia being two baths, one a bleach the other the toner means getting consistent even results on large prints is tricky, the Viradon is made with polysulfide and stinks to high heaven!! Also Viradon is no longer in production and I probably have about 40ml left at most, which is enough to make 1 to 1.5 ltrs of working solution. Out of the two I prefered the Vardon. I love its depth and warmth, and thankfully so did the client. Fingers crossed I’ll have enough.

This looks like this is going to be a huge comission and I can’t wait to get out and start taking pictures!!

 

Cheers

Graham.