New Paths

In my last post I spoke about the new Gallerina HQ opening it’s doors to the public and how I had pushed myself to create some new work for this special occasion. Well so far the response from the public for my latest pictures has been tremendous, it’s been so great it has inspired me to expirement more and see where it takes me.

One of the most daunting aspects of these multiple exposure pictures is choosing to work in a studio (as you can see it’s a very make shift one on my kitchen table) for the first time in a decade. It’s been a long time since I had to deal with the complications of lighting and I’d almost completely forgotten anything about compensating for extra bellows expansion or the dread Reciprocity Failure. The memories of my student days, and the boxes of beautiful Polaroid film I would waste, send shivers down my spine, trying to get my lighting and exposure right, it would cost me a fortune now!

But as an artist we should challenge ourselves, it can be so easy to stick to what you know, to follow the well worn path that you have created for yourself, mostly because it feels safe. Any artistic process involves putting a certain amount of your own emotions and personality into your creation, so there is always an irrational fear of it failing and being criticized, and you with it. But these fears are irrational, artistic expression will always be open to interpretation and we should fight against being stuck in that rut! Because that is often when we achieve something we are really proud of! Oh and I still haven’t remembered how to compensate for bellows expansion and Reciprocity Failure and I’m not sure I ever did, I think I may have always been working on intuition..

Wind and Rain

It’s been a harsh winter so far with days and days of high winds and rain battering the North of Engalnd and Scotland. Rivers have been bursting their banks and destroying bridges roads and worst of all people’s homes. Like usual I have fallen behind with my blog posts but back in November before the worst of the weather hit I visited the Low Barns Nature Reserve which is run by the Durham Wildlife Trust with the aim of testing out some more expired Polaroid Type 665 a photographer friend had sent me from Sweden. The reserve is nestled in a broad bend of the River Wear and it’s made up of a fantastic landscape of deciduous woodland and reed fringed lakes and ponds, perfect environment for wildlife of all kinds. A brief gap in the weather meant I had chance to explore. By all the flotsam spread in amongst the trees along the river bank it was obvious it had only just started to fall back but it was still very high and was running the colour of strong tea. I slowly worked my way upstream finally reaching the remains of an old ford which had become a torrent of churning water. It provided the perfect subject matter to sum up the weeks weather.

RiverWear

The pack of Polariod worked perfectly producing a lovely fine grain negative full of beauiful tones, starting to really get rehooked on this expired Polariod malarky sadly some stocks are becoming harder and harder to find!

It was a great afternoon spent in a wonderful place but this was only the beginning of the wet weather and soon Cumbria, Yorkshire and now Galloway in the South West of Scoltand were being hit with massive floods, very sadly causing wide spread destruction to some of our most beautiful towns and villages forcing people from their homes.

 

Graham

 

 

Gone But Not Forgotten

image

I took this photograph of Middle End Farm in Teesdale many years ago just after leaving college. At the time I couldn’t afford my own large format camera so I borrowed a good friends MPP, neither did I have the money to buy sheet film but luckily for me I had a small stash of Polaroid Type 665 Pos/Neg film kept at the pack of the fridge from my students days! So I spent a great rainy afternoon exploring the landscape of this fantastic dale which in future years was to have such a massive influence on my work.

It was a lovely film with beautiful soft dream like tones and of course being instant you knew how it turned out straight away! But at the time I didn’t realise how much trouble Polaroid was in and when it went under many of my  favourite photographic mediums including Type 665 went with it! Looking back if only I had the foresight to stock pile as much as I could! But there’s light at the end of the tunnel a new instant 5×4 pos/neg film is now on sale called New55 and I can’t wait!!

A Morning Pouring

It’s been a while since I’ve done any wet plate photography, but with a potential portrait commission from the gallery on it’s way I thought I’d better dust off my plate camera and get pouring some collodion and try and get my hand back in!

HelenTintype1

Helen, Plate 1. f4,5 8secs

HelenTintype2

Helen Plate 2, f4,5 8secs.

I used Lea’s No7 Landscape formula collodion premixed by a company called Mamut based in the Czech Republic.  The developer I had in stock was very old and oxidized so I  made up a new batch using  Scully & Osterman’s Formula;

15 gr Ferrous Sulfate
355 ml Distilled water
18 ml Alcohol
14 ml Glacial acetic acid

This brand new fresh developer would be too fast and contrasty to use as is, so I mixed it 50/50 with my old stock to get a solution that would be easier to use. Both pictures where taken with my vintage Half Plate camera fitted with Cooke Aviar 210mm lens on black anodised aluminium Tintypes. It was a bit of a dull day and even though Helen was sat right beside the window there was little direct sun light, the first plate had a lot of shadow so to help lift this on the second exposure I placed a full length mirror to reflect a bit of light back onto Helen.

I have to confess when it came to pouring the chemicals I was pretty rusty, and a bit more practice wouldn’t do me any harm but by taking my time and working methodically I didn’t cause too much of a mess! It was also the first time I had used the Mamut’s Lea’s No7 Landscape formula so there was a lot that could have gone wrong, but I was really pleased with the way the collodion and developer combination worked together.

Exciting Things Are Afoot!!

Last week I had some fantastic news that one of my liquid silver emulsion pictures “Dwarfie Stane, Hoy” had been accepted to be part of the ACTINIC Festival show in Edinburgh this summer!!

GrahamVasey_DwarfieStane,Hoy

Dwarfie Stane, Hoy. 100x75cm liquid emulsion on water colour paper.

I originally took the picture back in August 2013 when Helen, Alice and me travelled to the far north for a holiday on the isles of Orkney, and when I heard about this competition out of the four photographs I submitted it was this one I hoped they would pick! The exhibition will take place in July and has been organised by a fantastic group called Alt-Photo Scotland who dedicated to connecting and promoting alternative photography in Scotland and beyond so it really is a great honor to be chosen to display my work amongst some of the best in the world! More information about dates etc to follow!!

http://www.alternativephotographyscotland.org/

Oh and if your interested here is the original blog post!

https://grahamvasey.wordpress.com/2013/09/16/fifty-nine-degrees-north/

Cheers

Graham

Whitby In Spring Time.

I discovered a fantastic old northeast term the other day in a book I’m currently reading called Landmarks written by Robert Macfarlane, and that is “Lambin’ Storm” the name given to the gales which batter our coastline in Mid March, and not to be proven wrong that’s just what mother nature gave Helen and me on our visit to Whitby the other week. A blustery cold north easterly wind had whipped the high spring tides into a furious white foam and waves rolled in and crashed against the stone walls of the harbour. Now some people may think we were mad to venture to the seaside in such conditions, but for me I don’t think you could ask for a better day to walk along the pier as the sea crashes against it while the wind pulls at your hair and your clothes, plus it makes sneaking into a cosy pub afterwards even more rewarding.

Whitby Pier Lith

Lambin’ Storm, Whitby. Carl Zeiss Super Ikonta 6×9.

The day out also gave me chance to put a film through a vintage Carl Zeiss Super Ikonta folding camera which because of  some corrosion on the film gate and a little fungus in the lens had been put to one side. A little bit of black model paint sorted out the rust problem but all I could do for the lens was give it a good polish. Thankfully the fungus seems only to be in the front element and I couldn’t see any evidence that effecting the quality of the lens.

Whitby Pots

Pots, Whitby Harbour. Carl Zeiss Super Ikonta 6×9.

For these photographs I wanted to do something different. I’ve been saving some of my favourite black and white paper, Forte Museum Weight, which was made by a once great Hungarian photographic company called Forte, sadly they closed down a few years ago so the paper is no longer in production, so these last few boxes are probably the last I’ll ever have. One of the great attributes of this paper is it’s perfect for developing with Lith which are specialist developers used in a highly diluted solution and create a warm grainy print with a unique tonal range. The paper is usually over-exposed by 2 or 3 stops, then when the required density of image is achieved it is ‘snatched’ from the developer and placed into a stop bath. Lith printing can produce a very wide range of different colour and tone effects, and the contrast can be adjusted by varying the exposure time and development time. The image colour varies a great deal from warm – brown, olive, yellow, pink through to ivory, giving each print it’s individuality. The Lith developer I used for these photographs was Fotospeed LD20 which is  readily available and easy to use, but there are a number of others on the market. I really like this method and definitely feel it captured the atmosphere of the gritty, windswept day we spent in beautiful, unique Whitby.

 

 

 

Lost and Found?

It’s strange sometimes what you pick up and put in your pocket when your out in the hills, almost a year ago while  walking near Cross Fell with my friend Paul Denham I came across this camera, and incredible as it may sound this is what the film contained…..

 

Nahhh…. not really, I’ve just been playing with my Lomokino again filming Paul and me wandering about in the moors!! One day I’ll get round to creating a really short film in the mean time I hoped you liked this clip!

 

Cheers

 

Graham