Into the Woods

In my last post I was reminiscing about the loss of Polaroid pos/neg film, especially my favourite the Type 665 pack. Well the devil makes use for idle hands and it wasn’t long before I couldn’t just sit and dream about past triumphs and I was searching through a popular online shopping site in search of a pack of Type 665. At first I didn’t have much luck, mainly because, as stocks of this film become ever more rare the price goes up but I kept on looking and eventually found a pack which sounded promising. It was pretty old film and had technically expired in August 1990! But in the description it stated the pack was unopened and had been stored in a fridge, so I decided to take a chance and buy it.

There are a few risks in buying any old expired film particularly when it comes to instant type films such as polaroid, if the pack of film hasn’t been stored correctly the liquid chemicals which do the developing and fixing can dry out and make the material completely useless. All these thoughts went through my mind as I set off to the edge of Hamsterley Forest a few miles up the road from my home in County Durham. Last Autumn I had driven past the top edge of the forest and I was struck by the stark forlorn looking birch trees left behind by the felling of the pine trees, it seemed to be the perfect spot close to home to try out my new film.

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The Shen-Hao loaded and ready to go.

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It was with a great deal of trepidation I pulled the tab of the first sheet of polaroid from the camera back (kindly loaned to me from my old college tutor John Quinn) and I had no idea it would work as well as it did!! I only took a few exposures wanting to save the rest of the film for another day, storing the neg part of the sheets in water to wash off the masses of black gloop that covers them after you have peeled them apart.

Broken Birch

Once washed and dried I contact printed my favourite of the two negs on my usual Fomapan Chamois fiber based paper. I think this a negative I will definitely return to!

 

Gone But Not Forgotten

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I took this photograph of Middle End Farm in Teesdale many years ago just after leaving college. At the time I couldn’t afford my own large format camera so I borrowed a good friends MPP, neither did I have the money to buy sheet film but luckily for me I had a small stash of Polaroid Type 665 Pos/Neg film kept at the pack of the fridge from my students days! So I spent a great rainy afternoon exploring the landscape of this fantastic dale which in future years was to have such a massive influence on my work.

It was a lovely film with beautiful soft dream like tones and of course being instant you knew how it turned out straight away! But at the time I didn’t realise how much trouble Polaroid was in and when it went under many of my  favourite photographic mediums including Type 665 went with it! Looking back if only I had the foresight to stock pile as much as I could! But there’s light at the end of the tunnel a new instant 5×4 pos/neg film is now on sale called New55 and I can’t wait!!

Exciting Things Are Afoot!!

Last week I had some fantastic news that one of my liquid silver emulsion pictures “Dwarfie Stane, Hoy” had been accepted to be part of the ACTINIC Festival show in Edinburgh this summer!!

GrahamVasey_DwarfieStane,Hoy

Dwarfie Stane, Hoy. 100x75cm liquid emulsion on water colour paper.

I originally took the picture back in August 2013 when Helen, Alice and me travelled to the far north for a holiday on the isles of Orkney, and when I heard about this competition out of the four photographs I submitted it was this one I hoped they would pick! The exhibition will take place in July and has been organised by a fantastic group called Alt-Photo Scotland who dedicated to connecting and promoting alternative photography in Scotland and beyond so it really is a great honor to be chosen to display my work amongst some of the best in the world! More information about dates etc to follow!!

http://www.alternativephotographyscotland.org/

Oh and if your interested here is the original blog post!

https://grahamvasey.wordpress.com/2013/09/16/fifty-nine-degrees-north/

Cheers

Graham

Whitby In Spring Time.

I discovered a fantastic old northeast term the other day in a book I’m currently reading called Landmarks written by Robert Macfarlane, and that is “Lambin’ Storm” the name given to the gales which batter our coastline in Mid March, and not to be proven wrong that’s just what mother nature gave Helen and me on our visit to Whitby the other week. A blustery cold north easterly wind had whipped the high spring tides into a furious white foam and waves rolled in and crashed against the stone walls of the harbour. Now some people may think we were mad to venture to the seaside in such conditions, but for me I don’t think you could ask for a better day to walk along the pier as the sea crashes against it while the wind pulls at your hair and your clothes, plus it makes sneaking into a cosy pub afterwards even more rewarding.

Whitby Pier Lith

Lambin’ Storm, Whitby. Carl Zeiss Super Ikonta 6×9.

The day out also gave me chance to put a film through a vintage Carl Zeiss Super Ikonta folding camera which because of  some corrosion on the film gate and a little fungus in the lens had been put to one side. A little bit of black model paint sorted out the rust problem but all I could do for the lens was give it a good polish. Thankfully the fungus seems only to be in the front element and I couldn’t see any evidence that effecting the quality of the lens.

Whitby Pots

Pots, Whitby Harbour. Carl Zeiss Super Ikonta 6×9.

For these photographs I wanted to do something different. I’ve been saving some of my favourite black and white paper, Forte Museum Weight, which was made by a once great Hungarian photographic company called Forte, sadly they closed down a few years ago so the paper is no longer in production, so these last few boxes are probably the last I’ll ever have. One of the great attributes of this paper is it’s perfect for developing with Lith which are specialist developers used in a highly diluted solution and create a warm grainy print with a unique tonal range. The paper is usually over-exposed by 2 or 3 stops, then when the required density of image is achieved it is ‘snatched’ from the developer and placed into a stop bath. Lith printing can produce a very wide range of different colour and tone effects, and the contrast can be adjusted by varying the exposure time and development time. The image colour varies a great deal from warm – brown, olive, yellow, pink through to ivory, giving each print it’s individuality. The Lith developer I used for these photographs was Fotospeed LD20 which is  readily available and easy to use, but there are a number of others on the market. I really like this method and definitely feel it captured the atmosphere of the gritty, windswept day we spent in beautiful, unique Whitby.

 

 

 

The Great Look Out!

This is a bit of a late post. It was at the end of Febuary and I was back in Swaledale with my friend Gareth and my dad for another walk, this time to the summit of the mighty Great Shunner Fell! Not only was it my first proper fell walk of the year it was also my first attempt to climb this impressive mountain, which dominates the heads of Swaledale and Wensleydale and at 716 meters above sea level and just so happens to be the third biggest fell in the Yorkshire Dales.

It was a bright sharp day when we set off from the small village of Thwaite which nestles in a fold of hills near the head of the dale. We followed the path of the Pennine Way up the long slopping ridge along the edge of Stock Dale towards Shunner Fell Rake. As we slowly climbed up the slope stopping here and there to take pictures the more the summit loomed above us. Beneath its domed top, snow cornices still clung to the ridges and gullies on the fell sides.

The higher we ascended up the fell’s broad shoulder towards Shunner Fell Rake the more this mountain started to live up to the name it was given by the Norse settlers who came to this part of the world in the 10th century “Sjon’s lookout hill” from the Old Norse, Sjon + haugr meaning hill. All round us the views started to open up. To the north Teesdale and Mickle Fell could be seen with Stainmore and the A66 lying in between, to the south the high tops of Pen-y-Ghent and Ingleborough. We stopped for a quick break beside the large cairn which marked the beginning of the steep rake to the summit.

Shunner Rake Cairn

The cairn is a fantastic example of the wall builders art and must have stood over 6ft tall, it had slump to one side slightly giving it the impression of stoop old man. We had a quick cuppa as we soaked in the wild grandeur of the landscape that was stretching out before us before continuing on our journey along the rake which is an old Cumbrian term for a steep path or track up a hill. The closer we got to our goal we were treated with more glorious panoramas and mountain vistas, now Wild Boar Fell and Mallerstang could be seen and behind them the Howgill Fells could just be made out.

Shunner Fell pool

At the top we found a very comfortable shelter cairn so we hunkered down for a while out of the cold wind, mixed with occasional snow flurry, soaking up the atmosphere of the summit before starting our long descent down to the Buttertubs Pass and then back to Thwaite. This was by no means an easy route as it meant crossing the enticingly named Grainy Gill Moss and Grimy Gutter Hags. When people started to name these places they didn’t just pick names on a whim they were often descriptive and created to form a kind of oral map of the landscape so “Grain or Grainy” means a meeting of gills or sikes and “Moss” is the old term for a marsh or peat bog with that in mind we where pretty thankful the ground (if you could call it that) was still part frozen as I have no doubt that we would have been up to our ears in peat if we tried it on a wet summers day!!

I took a few more pictures before we dropped down onto the road that would lead us back to the car just as more dark clouds swept across the fell.

Clouds Over Shunner

Once we dropped down to the massive limestone sink holes of Buttertubs the rest of the walk was on tarmac which always makes the journey a bit longer than it should, even more so this time because I knew I had a 6 hour shift behind the bar at work to look forward to. So sadly this time we didn’t have the pleasure of celebrating what was a fantastic day out in the hills, we will just have to save it for later!!

 

Cheers

Graham

 

Land Of Lead

 

These days I usually head out to the hills by myself and I don’t often get chance to go walking with my friends. So when I got a call from one of my best and oldest friends asking me if I wanted to head out for a walk I wasn’t going to miss out on the opportunity! We made plans to meet after the new year. By then more snow had arrived and as we drove through Richmond and started to head up Swaledale the landscape quickly became a winter wonderland of snow and ice.

We where heading for Surrender Bridge which sits high in the fells above the small town of Reeth. From there we wanted to explore the ruins of the Old Gang Smelt Mill one of the best preserved relics of lead mining industry that’s once dominated this landscape.

It’s a steep drive up to Surrender Bridge and the higher we climbed the worse the roads became. I couldn’t help feeling grateful that I had just replaced my front tyres, and for once I had someone with me who could get out and push. Very soon the road had completely vanished beneath the snow, but luckily it stated to level out a bit so we decided it would be safer to park up and travel the rest of the way on foot.

It seemed like an age since me and Gareth had last been out walking together, and it didn’t take long for us to fall back into our usual banter of music, films, and on this particular trip the Viking Saga’s! Crossing the mysteriously named Surrender Bridge, talk turned to the possible origins of it’s name, which as far I’m as I am aware know one alive today knows? On the OS map higher up the fell they have marked a Surrender Ground and a Surrender Moss which I think all took their names from the local Surrender Mine, but where that name comes from who knows?  We followed the Old Gang Beck up its little dale and quickly we started stopping to take pictures. The landscape was breath taking, the thin dusting of snow gave a dramatic contrast to the dark heather and the dry stone walls, while all the time clouds constantly rolled over the fells.

North Gate To Brownsey Moor

North Gate to Browney Moor, 90mm Schneider Angulon and Fomapan 200.

Soon we reached the dramatic ruins of the Old Gang Smelt Mill. I often come across the remains of lead mining on my walks and I still find it hard to believe that these places where once the centres of a major heavy industry which boomed throughout the 18th and 19th century, at it’s hight employing 1,260 people in Swaledale alone. The days freezing weather brought into sharp foucus what the men, woman and quite often children had to endure to earn their daily wage. But by the 20th century cheap importants forced all the mines to close, and in the end the Old Gang Lead Mining Company which was once one of the largest employers in the dale was sold for £25 in 1933. We climbed above the old smelt mill to explore the ruins of the massive peat store. The huge structure was said to hold up 3 years supply of dried peat to feed the fires of the mills in the valley below. The game keepers had been hard at work burning back the heather for the red grouse, and the charred remains seemed to suit the subject matter somehow.

Peat House

Peat Store, 90mm Schneider Angulon and Fomapan 200

Soon the weather started to close in around us as heavy snow laiden clouds started to move across the hills, so we decided to leave the higher summit for another day and beat a retreat back to the car before it became buried in fresh snow.

Throughout the day we talked a lot about the Norse settlers who came to these dales in the 10th century and left there mark in many of the place names and dialect of their descendants. Many of which I’ve used in this post such as dale, fell, beck many of which can be seen in the place names of Norway and Iceland. But a poem kept returning to me which I first read as student which though not really Nordic seemed apt for days weather….

“Where has gone the steed? Where has gone the man? Where has gone the giver of treasure? Where has gone the place of banquets? Where has gone the pleasure of the hall? Alas, the gleaming chalice; alas, the armoured warrior; alas, the majesty of the prince! Truly, that time has passed away, grown dark under the helm of night as though it had never been. Now there remains among the traces of those dear people a wall, remarkably high, painted with serpentine patterns. The might of ash spears has snatched away the men, the weapon greedy for carnage, notorious fate; and storms beat upon those heaps of stones. A falling snow storms fetters the earth, winter’s howling. The darkness comes; the shadow of night spreads gloom and send from the north fierce hailstorms to the terror of men. The whole kingdom of earth is full of hardship. Here wealth is ephemeral; here a friend is ephemeral; here man is ephemeral; here kinsman is ephemeral; all this this foundation of earth will become desolate.”

Wanderer [Book Of Exeter]

See the Anglo-Saxons could write a pretty good tale as well Gaz!!

If you want to see more photographs from our trip to the fells please have look of my friends blog post:

https://numberofthegaz.wordpress.com/2015/01/21/old-gang-smelt-mill-swaledale-north-yorkshire/

Thanks once again for reading!

Graham

 

 

Looking Back to a trip to the far North.

The other day while looking through an old paper box full of prints trying to find something Helen could use for Christmas cards I came across a load of prints from my journey around Iceland. All the photographs where printed for my book The Bones of the Sea which was published on blurb.  The pictures where taken in 2007 when I was lucky to be able to join one of my photographic hero’s Bill Schwab on one of his workshops to the far north. There where five other guys joining me for this journey Jerry Conway, David Bram, Dan Henderson, Tim Rudman, David (Ike) EisenLord and Clay Harmon all of them very skilled photographers and great people to be stuck in a van with for week!

These prints are just a few of the many I took but I’ve been wanting to post some on my blog for a long time but a little while ago the hard drive failed on my old PC so all of the files on it where lost (that’s digital technology for you!) so it was really great to find these prints.

Hall of Mountains

Hall Of Mountains, Stokksnes, Hofn

Sand Dune

Sand Dune, Stokkenes.

Lake

Myvatn, Northeast Icleand.

Clearing Clouds

Clearing Clouds, near Skagafjörður, Northern Iceland.

BlackSand

Black Sand and the Skagi Peninsula, North Iceland.

Wind blown grass

Waving Grass, Hunafjörður, Northern Icleand.

BlackKirk

Black Kirk of Búðir, Snæfellsnes.

Prow and Knott

High and Dry and Grundarfjörður, Snæfellsnes.

Because of hand luggage restrictions at the time I could take a small camera bag (I didn’t want to risk anything thing too valuable in the hold) on the plane with me, that meant restricting myself to only a couple of cameras,  my old Rollicord TLR and a much more modern Mamiya 7 which had the benefit of  being very light and having interchangeable lenses. By the end of the 10 I had unbelievably shot 60 roles of Ilford HP5 film, my cameras where almost glowing, but it was hard not to take photographs when every day brought new places to explore. It was a great trip and a really great experience to meet Bill and all the other guys Iceland was an adventure I will never forget.

Cheers

Graham