Silver Emulsion

Hello I thought it would be good to post retrospective of some my work using liquid silver emulsion. This technquic must be one of my favourite alternative proccess, I love the sense of texture it adds to my photographs.

GrahamVasey_DwarfieStane,Hoy

Dwarfie Stane, Hoy.

 

Vasey_3

Coil, Ettergill.

 

Vasey_4

Twins Across The Moor, Buckshott Moor.

 

Vasey_2

Come In Number 6, CockField Fell.

 

UntitledLiquidSilverGelatin97x64

Shuttered Against the Light, Lunehead.

 

Penned2

Penned, Langdon Beck, Teesdale.

 

LimeKilnsLiquidSilver50x65

Kiln, Howgill Fells.

 

IronShed,MiddletonTeesdaleLiquidSilverGelatin77x77

Iron Shed, Teesdale.

 

Rising Spate

Rising Spate, Glen Sligachan, Isle if Skye.

 

HighFrithLiquidSilver65x50

High Frith, West Stonedale., Swaledale.

 

Wagon

Wagon, Howgill Fells.

 

MineHeadLiquidSilverGelatin65x50

Mine Head, Cows Hill, Upper Teesdale.

 

MarscoLiquidSilver80x67

Marsco, Glen Sligachan, Isle of Skye.

 

Ivelet Wood

Beach Branches, Ivelet Wood, Swaledale

 

Copely Chimney

Chimney at Copley, Teesdale.

 

Ruined Barn

Ruined Barn, Ravenstonedale.

 

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6 comments on “Silver Emulsion

  1. Lee says:

    I must ask, Are you contacting negatives to this silver emulsion? or are you shooting straight to your coated paper? one last question I promise, what brand of emulsion do you use?

    • grahamvasey says:

      Hi Lee I don’t generally contact print onto the silver emulsion, I normally use it like conventional photographic paper with an enlarger, some of the prints on my blog are up to 100x75cm. For quite a while now I have been using the SE1 emulsion which is sold by Silverprint in London.

      Hope that’s some help!

      Graham

  2. Love the river in spate at Glen Sligachan and also the ruined wagon ones – gives them quite an unreal quality doesn’t it?
    Carol.

  3. ehpem says:

    These are terrific! The textures are fabulous.

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